The Last Judgment [Weltgericht], detail - Stefan Lochner (circa 1400/1410–1451)circa 1435oil and gold on oak panel124.5 × 174 cm (49 × 68.5 in) Wallraf-Richartz-Museum 
Luglio 26 201404·30 am118 note

The Last Judgment [Weltgericht], detail - Stefan Lochner (circa 1400/1410–1451)
circa 1435
oil and gold on oak panel
124.5 × 174 cm (49 × 68.5 in)
Wallraf-Richartz-Museum 

The Martyrdom of Saint George - attributed to Lazzaro Bastianicirca 1490 - 1510oil on panel54,3 x 45 cmPhiladelphia Museum of Art, Pennsylvania
Luglio 26 201402·24 am101 note

The Martyrdom of Saint George - attributed to Lazzaro Bastiani
circa 1490 - 1510
oil on panel
54,3 x 45 cm
Philadelphia Museum of Art, Pennsylvania

(Fonte: maertyrer)

drakontomalloi:

Albrecht Altdorfer - Victory of Charlemagne over the Avars near Regensburg. 1518 
Luglio 26 201402·05 am92 note

drakontomalloi:

Albrecht Altdorfer - Victory of Charlemagne over the Avars near Regensburg. 1518 

The ‘Tree of the Principles and Grades of Medicine’ as given in the ‘Liber Principiorum Medicinae’ of Raymond Lull in the edition of the ‘Opera omnia’ by Ivo Salzinger (Mainz, 1721 – 1742). The ‘rota’ gives the four ‘humores’ with a dual four-fold subdivision of the characters: A – hot (calor), B – dry (siccitas); C – wet, moist (humiditas) and D – cold (frigiditas). The ‘Lullian’ series is not directly connected to the elements, but could be interpreted as the ‘Aristotelian type’: fire – air – water – earth.
Luglio 25 201410·37 pm29 note

The ‘Tree of the Principles and Grades of Medicine’ as given in the ‘Liber Principiorum Medicinae’ of Raymond Lull in the edition of the ‘Opera omnia’ by Ivo Salzinger (Mainz, 1721 – 1742). The ‘rota’ gives the four ‘humores’ with a dual four-fold subdivision of the characters: A – hot (calor), B – dry (siccitas); C – wet, moist (humiditas) and D – cold (frigiditas). The ‘Lullian’ series is not directly connected to the elements, but could be interpreted as the ‘Aristotelian type’: fire – air – water – earth.

mirroir:

Agnolo di Cosimo (1503–1572), Portrait of a Young Man (detail), c. 1550 (x)
Luglio 23 201409·55 pm2.808 note

mirroir:

Agnolo di Cosimo (1503–1572), Portrait of a Young Man (detail), c. 1550 (x)

(via ancient-serpent)

maertyrer:

Jacopo Pontormo - Das Martyrium des Hl. Mauritius und der thebaischen Legion
Luglio 17 201405·30 am120 note

maertyrer:

Jacopo Pontormo - Das Martyrium des Hl. Mauritius und der thebaischen Legion

(via baffomet)

Time Unveiling Truth, sketch - Giovanni Battista Tiepolo (1696- 1770)pen and wash, over black chalk22,3 x 20,9 cm
Luglio 17 201405·00 am88 note

Time Unveiling Truth, sketch - Giovanni Battista Tiepolo (1696- 1770)
pen and wash, over black chalk
22,3 x 20,9 cm

Frontispice of Der Höllische Proteus, oder Tausendkünstige Versteller by Erasmus Francisci (1627-1694), Nuremberg, 1695 
Luglio 17 201404·30 am307 note

Frontispice of Der Höllische Proteus, oder Tausendkünstige Versteller by Erasmus Francisci (1627-1694), Nuremberg, 1695 

sakrogoat:

Matthias Grünewald
Luglio 16 201408·39 pm287 note

sakrogoat:

Matthias Grünewald

(via sevenchalices)

dark-mother:

detail from ”The Garden of Earthly Delights” by Hieronymus Bosch {circa.1450-1516}
Luglio 16 201402·29 pm400 note

dark-mother:

detail from ”The Garden of Earthly Delights” by Hieronymus Bosch 
{circa.1450-1516}

(via innercurtain)

Lucifer et deux diables fromIllustrations de Les Menus propos; engraving by Gabriel Salmon; printed by Gilles Couteau, Paris, 1521 [Cote : Res Ye 293/microfilm R 75746]
Luglio 16 201412·24 pm172 note

Lucifer et deux diables fromIllustrations de Les Menus propos; engraving by Gabriel Salmon; printed by Gilles Couteau, Paris, 1521 [Cote : Res Ye 293/microfilm R 75746]

oursoulsaredamned:
Ludolf of Saxony, Inferno, 1455. From Speculum Humanae Salvationis manuscript. Newberry Library, Chicago, Illinois, USA.
Luglio 16 201411·10 am193 note

oursoulsaredamned:

Ludolf of Saxony, Inferno, 1455. From Speculum Humanae Salvationis manuscript. Newberry Library, Chicago, Illinois, USA.

(via innercurtain)

The Crucifixion (detail) - Dreux Budé Master, possibly André d’Ypresbefore 1450oil on panel19 x 28 inchesGetty Museum, Los Angeles, USA
"At the top right, a voracious monster devours souls, while other souls boil to death in the fiery caldron."
Luglio 16 201411·05 am530 note

The Crucifixion (detail) - Dreux Budé Master, possibly André d’Ypres
before 1450
oil on panel
19 x 28 inches
Getty Museum, Los Angeles, USA

"At the top right, a voracious monster devours souls, while other souls boil to death in the fiery caldron."

Von zweierley Menschen Sterben - Print made by anonymous; printed by Johann Otmar1510 ca.347 x 238 mm
Broadside on death and salvation; with a woodcut of a human skull in a circular frame with the instruments of Christ’s Passion; a small woodcut of Death attacking a horseman between the two columns of letterpress text below; text consisting of 34 lines of verse divided into two columns, at left the heavenly life, at right earthly life; below two-line quotation from Job.
Giugno 26 201411·07 pm47 note

Von zweierley Menschen Sterben - Print made by anonymous; printed by Johann Otmar
1510 ca.
347 x 238 mm

Broadside on death and salvation; with a woodcut of a human skull in a circular frame with the instruments of Christ’s Passion; a small woodcut of Death attacking a horseman between the two columns of letterpress text below; text consisting of 34 lines of verse divided into two columns, at left the heavenly life, at right earthly life; below two-line quotation from Job.

The Last Judgment (left wing, detail) - Jehan Bellegambec. 1525 Oil on oak panel Gemäldegalerie, Berlin
Giugno 26 201401·31 am667 note

The Last Judgment (left wing, detail) - Jehan Bellegambe
c. 1525 
Oil on oak panel 
Gemäldegalerie, Berlin